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you are quoting a heck of a lot there.
[QUOTE]blah blah blah[/QUOTE] to reply to sxealex.
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[QUOTE="sxealex:645719"]largefreakatzero said:[QUOTE]I wouldn't have gotten into it with these tools, Mike. A simple "No thank you, good luck with your club" would have sufficed. Don't bother with threats, it's not worth it. To anonymous pussy above, I have a job that pays me well. The band is for fun. Selling tickets = not fun. If I wanted to "do business in this industry" I would be playing a style of music that appeals to the masses. The end.[/QUOTE] normally i would agree with you but im sick of seeing this shit. a promoter's job is to invest in a bands performance and promote it. the way they have it set up is: they not only steal the performance but they steal money and time off the performer and dont do shit but own venue or acquaint a venue owner. Then the booking agents come to them. I mean look at the metal brothers that used to do music business in Albany. They would pay every band. And they did ok for a decent period. And they were just as hype-filled as the NE concerts bs. I mean even all their emails were in caps. But at least they did have a twisted sense of business like these fucks. Ill play for free.... but I would almost never pay to play. [/QUOTE]
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