.:.:.:.:
RTTP
.
Mobile
:.:.:.:.
[
<--back
] [
Home
][
Pics
][
News
][
Ads
][
Events
][
Forum
][
Band
][
Search
]
full forum
|
bottom
Reply
[
login
]
SPAM Filter:
re-type this
(values are 0,1,2,3,4,5,6,7,8,9,A,B,C,D,E, or F)
you are quoting a heck of a lot there.
[QUOTE]blah blah blah[/QUOTE] to reply to DestroyYouAlot.
Please remove excess text as not to re-post tons
message
[QUOTE="DestroyYouAlot:1035819"][QUOTE="RichHorror:1035809"][QUOTE="rubbernecking%20jew:1035789"]a twee representation[/QUOTE] Retrospectively, especially in the United States[3], the terms twee[2] and twee pop were used, initially ironically, due to what commentators called the "revolt into childhood" of its followers. Musically its key characteristics were jangling guitars, a love of sixties pop and often fey, innocent lyrics. The UK label Sarah Records and its most popular band The Field Mice, although more diverse than the label indicates, were probably its most typical proponents. It was also inspired by the DIY scene of punk and there was a thriving fanzine, label and club and gig circuit. Scenes later developed in the United States particularly around labels such as K Records. Genres such as Riot Grrrl and bands as diverse as Nirvana, Manic Street Preachers, and Belle and Sebastian have all acknowledged its influence. In the mid to late 80s, indie pop was criticized for its tweeness and underachievement but many now argue that C86 and the birth of the genre was a pivotal moment for independent music in the UK.[4] It continues to have a strong following and inspire musicians, not just in the UK but around the world with new labels, clubs and bands devoted to the sound.[/QUOTE] tl;dr: dorks, other dorks[/QUOTE]
top
[
Vers. 0.12
][ 0.014 secs/8 queries][
refresh
][