.:.:.:.:
RTTP
.
Mobile
:.:.:.:.
[
<--back
] [
Home
][
Pics
][
News
][
Ads
][
Events
][
Forum
][
Band
][
Search
]
full forum
|
bottom
Reply
[
login
]
SPAM Filter:
re-type this
(values are 0,1,2,3,4,5,6,7,8,9,A,B,C,D,E, or F)
you are quoting a heck of a lot there.
[QUOTE]blah blah blah[/QUOTE] to reply to ShadowSD.
Please remove excess text as not to re-post tons
message
[QUOTE="ShadowSD:1073902"]Creativity rules all. I definitely don't mean to sound like speed is everything - it really isn't, just one more tool in the arsenal. If I had to choose between note choice/melody and the ability to play fast, I would pick the first one every time. Many of my favorite solos of all time aren't fast at all. FOTB is a classical piece, but you are correct that I took some liberties in how I approached it. What counts as far as whether that kind trick succeeds is whether what I use for filler sounds like it fits or doesn't, and I think in a case like that it meets such a standard. The way our brain can perceive certain notes favorably when used in a "connector" fashion but not favorably otherwise is pretty remarkable, especially as the rate of speed increases, and our mind tends to fill blanks quite adeptly; it's the same principle that allows a gradual bend to sound good, despite going through countless out of key semitones between where it ends and begins. Yes, I do like delay on the lead guitar, and you're right that the picking is faster than the notes when I use that technique; it's definitely not lined up perfectly. But at that speed, the ear can barely tell - the only noticable audible effect is that it doesn't sound anything like Vega's mathematically perfect rendition, for instance. It doesn't sound ridiculously all over the place either.[/QUOTE]
top
[
Vers. 0.12
][ 0.012 secs/8 queries][
refresh
][