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you are quoting a heck of a lot there.
[QUOTE]blah blah blah[/QUOTE] to reply to Nocuous_Fumes.
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[QUOTE="Nocuous_Fumes:1303988"][QUOTE="thirdknuckle:1303940"][QUOTE="nocuous_fumes_nli:1303904"]triggering off of a miked track is hell.[/QUOTE] never had any trouble with it. You also get the live drum sound to use when you're mixing. unless you know up front that the live drum sound is going to be shit... then you have no chance of having natural sounding drums; 100% processed drums will never sound real, no matter what samples you use[/QUOTE] Oh I agree 100%, you've got to have at least some of the real drum in there or it sounds like a fucking typewriter. What I'm saying, is record two tracks for the kick, one trigger, one close mike and use both (a trigger when recorded dry will send just a spike with zero decay, way less miss-triggers than a close mike track, especially with the super fast shit: FACT) then 3 tracks on the snare, top, bottom and trigger, same concept. Then for the samples themselves, have the drummer record single hits of the kick and snare at some point in the session, drop them into drumagog and use those for your samples so they play nice with the rest of the drum sound from the beginning.[/QUOTE]
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